Skip to the main text
The Fifth String Acoustic roots music
  1. Home
  2. Learn
  3. The tartan register

Tartan and dress

Tartan register: name, region, threadcount

How to search the Scottish tartan register by name and by region, how to read a threadcount, and how to pick a clan pattern without guessing.

Updated 16 September 20267 min readWritten by The Fifth String

A close-up of a printed tartan threadcount key on a workbench beside a folded length of wool cloth, lit by low window light from the left, with a tape measure and a pencil resting on the cloth.

The Scottish tartan register is a searchable public record of tartans, and you use it in three moves: search by name to find a pattern tied to a surname, search by region to find patterns recorded against a place, and read the threadcount to understand how the colours repeat. You do not need an account, and you do not need to know the jargon before you start. The register is a reference, not a rulebook, so treat what you find as a starting point for a conversation rather than a verdict on what you are allowed to wear.

How do I search the Scottish tartan register by name?

Start with the search box and type the surname as it is normally spelled. The register holds thousands of entries, and many names have more than one tartan attached, so expect a list rather than a single answer. Variant spellings matter: MacLeod, McLeod and Macleod can sit in different records, and a name that looks the same in English may have a Gaelic form filed separately. If your first search returns nothing useful, try the shorter root of the name, then try the common anglicised version.

When the results come back, look at the record number and the date before you look at the picture. Older records often carry a note about who submitted them and when, and that note tells you whether you are looking at a clan tartan, a district tartan, or a fashion pattern that someone registered later. A pattern registered in the twentieth century is not less real than one from the eighteenth, but it is a different kind of claim, and it helps to know which one you are holding.

If you are working from a family name rather than a clan name, the register will often point you sideways. A sept or an associated family may be listed under a larger name, and the entry will say so. That is the moment to write the record number down. If you later want a kilt made, the mill and the kiltmaker will both ask for it, and having the number saves a week of email. A practical guide such as the one behind the tartan register name search notes is useful here, because it explains how a name lookup relates to the threadcount you will eventually hand to a weaver.

How do I search the Scottish tartan register by region?

Regional search works from place rather than people. Instead of a surname you enter a town, an island, a county or a district, and the register returns tartans recorded against that area. This is the route to take when the family name is uncertain, when the name is common, or when the connection you care about is where your people lived rather than what they were called.

District tartans are the core of this. They were often designed to represent a place rather than a family, and some of them are older than the clan patterns people now treat as ancient. Search for the place name first, then widen to the surrounding area if the result is thin. A small island may have one entry; a large county may have several, and the notes will tell you which are old and which are recent.

Two cautions. First, boundaries move. A place that is in one administrative area today may have been in another when a pattern was recorded, so search both names. Second, a regional tartan is not a lesser tartan. If you have no clan connection and no interest in inventing one, a district pattern is an honest answer, and it is the one many pipers and dancers use when they are asked to wear something specific.

How do I read a tartan threadcount?

A threadcount is a written recipe for the pattern. It is a line of numbers and letters, and it tells a weaver how many threads of each colour to use, and in what order, to reproduce the sett. The sett is the full repeating block of the pattern; everything outside it is repetition.

Read it left to right. Each colour is given a letter, usually a single initial, and each letter is followed by a number. The number is the count of threads in that band. A slash or a bracket often marks a point where the pattern pivots, which is where the sequence turns back on itself. The sequence you see is usually half the sett, because the second half mirrors the first. That is why a short line of letters can describe a large piece of cloth.

Colour letters are not standardised across every source, so check the key that comes with the record. In most register entries the key is printed alongside the count, and it maps each letter to a named colour. If a letter appears with no key, do not guess. Ask the mill or the kiltmaker, or compare the count against the image on the record and work out which band is which.

Two more things are worth knowing. The count describes the pattern, not the cloth: the same threadcount can be woven in light weight or heavy weight, and the two will look and hang differently. And a threadcount is not a size. It says nothing about how much cloth you need, which is a separate calculation based on your measurements and the yardage of the kilt.

Choosing a clan pattern without guessing

Once you have a shortlist from a name search and a region search, the choice is usually between two or three records rather than thirty. Look at the sett size first. A large sett reads clearly from a distance and is often chosen for kilts; a small sett looks busier up close and can be better for ties, waistcoats and other small items. If you are having a kilt made, ask the kiltmaker which sett size they prefer to pleat, because pleating to the sett and pleating to the stripe give different results from the same cloth.

Then look at the colours in the record and compare them with the cloth you can actually see. Screen colour is unreliable. A blue that looks navy on a monitor may be closer to slate in wool, and a green may be much darker. If you can, order a small swatch before committing to several metres. This is the single step that prevents most disappointment.

Finally, decide what the tartan is for. A wedding, a pipe band, a dance competition and a casual kilt all put different demands on the cloth. A heavy weight in a strong sett suits a formal kilt; a lighter weight in a quieter sett suits a first kilt or a waistcoat. The register will not make that decision for you, and it is not meant to.

What the register does not tell you

The register records patterns. It does not certify ancestry, and it does not grant permission. Anyone can wear a tartan, and the idea that a pattern is closed to outsiders is mostly a modern invention, though a few patterns are associated with specific regiments or families by custom rather than by law. If you are wearing a tartan for a ceremony and you want to be careful, ask the people involved rather than the internet.

It also does not tell you how the cloth will behave. Weight, weave and finishing are the mill's business, and two weavers can produce noticeably different cloth from the same threadcount. That is why the record number and the threadcount are the start of the conversation with a kiltmaker, not the end of it.

A short routine that works

Search the surname, note every record number, then search the place names that go with the family. Read the threadcount on the two or three records that survive, check the colour key, and compare sett sizes. Order a swatch. Then take the record number to a kiltmaker and let them tell you what weight and yardage they would use. The whole process takes an evening, and it saves the much longer process of choosing badly and living with it.

Source: tartanregister.gov.uk